I purchased a GoPro Hero4 before a recent trip to Iceland, I knew the weather would be extreme and I didn’t fancy changing lenses in minus -11 or lugging my Nikon D3x around for hours on end. I planned to use the GoPro as a durable stills camera which could also take some scenic video when needed.

A GoPro is normally associated with extreme sports, you’ll often see them strapped to a surfboard or a skydivers head. I had no plans to throw myself out of a perfectly serviceable aircraft but the rugged reliability and tiny size of the camera appealed to me.

I’d purchased the GoPro less than 24 hours before departing for Iceland, leaving little time to familiarise myself with the camera settings. However, once I figured out how to pair the GoPro with my iphone I was able to adjust the camera settings for still photography. It’s much easier to adjust these using the app than attempting to do it via the tiny touchscreen on the back of the camera, especially if you have sausage fingers like me.

The app also allows you to remotely control your GoPro, so you can position the camera almost anywhere and then use your phone as a live view finder! A neat feature which should give some interesting POVs. The app can also transfer photos wirelessly from the GoPro onto your smartphone camera roll, from there you can upload them to Facebook or Twitter directly.

So how did the GoPro Hero4 perform as a stills camera? Well, I found the picture quality remarkable given the size of the camera. Photos taken in daylight were crisp and sharp, night-time shots did contain a fair amount of noise but that’s not uncommon in any camera. Along with the legendary image stabilised video capture the other main advantage of a GoPro is size – it really is tiny. The waterproof casing bundled with the camera means you can take it anywhere, the casing will also protect against damage in hostile enviroments.

Above I’ve added a couple of photos taken using my GoPro, If you want to read more about using the Hero4 as a stills camera I can recommend this detailed post. Hopefully I will get a chance to experiment more with the camera over the summer holidays, I’m already pricing up a drone!

The new LYTRO camera may well change the way we take photos forever. First let me say that I’m a big DSLR geek, my camera bag is full of Nikons, lens, compact cameras and even the funky retro Fuji X100. I love all types of camera gear and gadgets, but the prospect of LYTRO has me more excited than the day my Nikon D3 arrived in the post.

The LYTRO isn’t just a new camera, it’s a completely different way of capturing images. The project started at Stanford University has been 15 years in development and produced a camera so revolutionary, it even had the late Steve Jobs admiring the LYTRO. Apparently Jobs phone the LYTRO team to ask if Apple and LYTRO could work together (new iphone camera – maybe?).

So what’s all the fuss about? Well, and here comes the science bit… Unlike a conventional camera that captures a single plane of light, the Lytro camera captures the entire light field, which is all the light traveling in every direction in every point in space. Giving the ability to capture living pictures with the press of a single button. By instantly capturing complete light field data, the Lytro gives you capabilities you’ve never had in a regular camera.

Since you’ll capture the color, intensity, and direction of all the light, you can experience the first major light field capability – focusing after the fact. Focus and re-focus, anywhere in the picture. You can refocus your pictures at anytime, even after you’ve snapped them.

If you own a compact camera then you’ll know about shutter lag, it’s that horrible pause between pressing the button and the camera taking the picture. If you own a DSLR camera then the shutter lag is vastly reduced, but the weight of the equipment is the price you pay for those extra one hundredths of a second.

What’s great about the LYTRO is it has no auto-focus motor, which means no shutter lag. Allowing you to capture the moment you meant to capture. The Lytro Light Field Camera boasts an 8X optical zoom lens with a constant f/2 aperture, capturing maximum light across the entire zoom range.

If you’re into cameras then you’ll be amazing by the constant f/2 aperture – A DSLR zoom lens with that capability would cost you £1000s, the constant f/2 also means the camera doesn’t need a flash! No more horrible shadows and startled expressions! Plus you can use the camera in situations when flash would be prohibited – musuems, concerts, sporting events.

I’d be the first to admit that the LYTRO looks shit! but this camera isn’t about looks, it’s about the pictures. We won’t know if the camera lives up to the hype until it’s released, which is penciled in for early 2012. Like most things these days, the camera will only ship to the U.S. on release – Hopefully us Europeans will be next to get our hands on this exciting new camera.

I’ve been using Nikon DSLR’s for about 5 years, my first camera was the cheap and cheerful D40, now I shoot with the mid level D300, I’m desperate to trade up to the full frame D3s but the £3500 price tag is putting me off for now!

Until recently most of my ‘camera cash’ has been splashed out on expensive lens, I have a sigma wide angle, ultra fast 200mm telephoto lens and the ‘everyday-do-everything’ 18mm ~ 200mm Nikon lens, the 18-200 is a brilliant lens for nearly all situations.

If like me you get fed up of changing lenses then you’ll love the versatility. The only problem with the 18~200 is you get very lazy when taking shots. Rather than moving around a subject to explore angles and perspective you just end up zoom in and out, which doesn’t make for interesting photographs.

Nikon 50mm F1.8D AF Nikkor Lens

It started to really bug me that my photos were becoming flat, lacking depth and frankly looked really boring! So I decide to look at a few lenses that would give more dynamic results.

After reading a few blogs and forums I got interested in going back to the old school and shooting with a standard fixed 50mm lens. I was shocked when I saw the prices of these lenses! a Nikon 50mm with an ultra fast 1.8 f-stop was only £109 on amazon, that’s a Nikon lens with amazing low light performance for less than a cheap compact camera. For some reason I often find myself shooting in bad light conditions, so a lens which gives good results in low light without flash did appeal to me. After reading this review on Amazon I decided to order the 50mm.

“I’ve been seduced by ultrazoom lenses and cameras over the years and I had forgotten how good photography felt when you move you body rather than zoom in and out with your lens.

The other reviews quite rightly highlight the excellent performance of the wide range of aperture settings from 1.8 to 22 so I don’t want to repeat what they have said.<

I’ve been using my D300 with an 18-200mm lens for most of the time – occasionally swapping for a wide angle 10-20mm lens when needed. Both are fairly heavy, but very versatile. The 50mm is the first prime lens I have used since I started digital photography some 7 years ago.

My whole attitude to the subject matter changes when I can’t just zoom in and out, I find myself composing much more interesting shots. This has been a great addition for my DSLR.”

I can totally agree with the review on Amazon, this lens will fundamentally change the way you look at photography, when you consider the price is a give away compared to other lenses you’d be mad not to buy one of these.

Here’s a couple of portrait shots I took with the Nikon 50mm lens. combines my two favorite hobbies, horse racing & photography. The site is not strictly commercial, it doesn’t feature advertising or editorial for casinos or bookmakers. It’s just a showcase for the various photos I take around the UK’s racecourses.

I started taking photos seriously about five years ago, after failing to find any good stock photos for my other racing websites I decided to take some myself and headed off to Bangor-On-Dee racecourse. After much trail and error I finally started taking some decent photos, mainly thanks to the expertise of Nikon than my own skill.

HorseRacingPhotos also features news and tips on getting better pictures at race meetings and a couple of plugs for our other racing sites.

I started taking photos because I could never find the right images, at an affordable price to use in our websites. This was before the advent of, where you can now buy quality images for as little as a dollar. I bought my first Digital SLR (Nikon D40) and slowly educated myself on learning how to use it. I was always amazed at the quality of the pictures, which had more to do with Nikon’s skill than my own. Nowadays I’ve graduated to shooting with a Nikon D300 and for the first time last week I stuck a Cokin ND (Natural Density) Filter onto the front of my camera. WOW what a difference a small piece of glass can make!

As clever as modern digital cameras are, they still have a tendency to over exposure the sky in any given shot. You can always correct this post production with photoshop but that is seriously boring work. The Cokin filter keeps every bit of detail in the sky and clouds, in the photo here you can really see the clouds and colour tones in the sky area. I always suspected my photos were lacking a certain something, well I was right. To often I’d blown out sky detail, especially at dawn or dusk, these filters give your photos that professional look instantly ~ that’s why I’m lovin Cokin Filters.